Rebecca review: “Handsome, risk-taking remake sacrifices suspense for sweeping sadness”


You can’t fault Ben Wheatley’s nerve. It takes the bravest of directors to re-adapt gothic romance Rebecca after Hitchcock’s 1940 Oscar-winning black-and-white chiller set the bar so high.

But by diving into Daphne Du Maurier’s original book, Wheatley has unearthed a lush, surprisingly glossy romance. In luxurious, pre-World War Two Monte Carlo, a class-crossed love affair ignites between Lily James’ shy, poor, lady’s companion (the character is famously never named) and Armie Hammer’s Maxim de Winter, a sad and wealthy English widower.


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